(1657 - 5 December 1735) was a French painter of Lyon. He left his native Lyon for Paris at the age of twenty and found employment in the large atelier of Charles Le Brun, the equivalent of an academy. He made his reputation by his portraits in pastels, to which he gave a sparkle and immediacy hitherto unreached in that medium. He was received in the Academie royale de peinture et de sculpture in 1701, under the designation peintre en pastel. He was appointed counsellor to the Academy and provided lodging under royal auspices at the royal manufactory of the Gobelins. From Paris he visited Brussels. Vivien was taken up by the francophil Elector of Cologne and worked at Munich, as first painter to the Elector's brother, Maximilian Emmanuel, Elector of Bavaria.   Related Paintings of Joseph Vivien :. | Portrait of Joseph Ferdinand, kurprince of Bavaria | Bildnis des Kurfursten Maximilian II | Portrait of Joseph Ferdinand, kurprince of Bavaria | Max Emanuel vor der Stadt Mons | Portrait de Fenelon |
Related Artists:
Louise-Catherine Breslau
(6 December 1856 - 12 May 1927) was a German/Swiss artist. Born Maria Luise Katharina Breslau in Munich, Germany, she spent her childhood in Zurich, Switzerland and as an adult made Paris, France her home. Suffering from asthma all her life, Breslau turned to drawing as a child to help pass the time while confined to her bed. Although she became one of the most sought after portraitists of her time, after her death she and her work were all but forgotten. It has only been in the past few years that interest in Breslau and her works has been growing. Breslau was born into a prosperous bourgeois family; her father was a well-respected physician specializing in obstetrics and gynecology. When Breslau was two years old, her father accepted the position of professor and head physician of Obstetrics and Gynecology at the University of Zurich; Switzerland became home to the Breslau family.
Jean-Louis prevost le jeune
Noitel circa 1740-after 1810
Raffaello
Italian painter , 1483-1520 was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.